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Plate XX: Landscape with bridge and ruins
- 1685 (date of publication)
Engraved plate depicts a bridge over a body of water leading to a castle ruins. Figures cross the bridge and birds dot the sky.
The most popular of William Salmon's numerous books, the title page refers to 25 plates…
- Author Salmon, William, 1644-1713
- Engraver Hove, Frederick Hendrick van, 1628?-1698
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Drawing--Technique, Salmon, William, 1644-1713, Portrait painting--Technique, Painting--Technique, Art--Early works to 1800, Alchemy--Early works to 1800, Hove, Frederick Hendrick van, 1628?-1698
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Engraved title page from William Salmon's Polygraphice
- 1685 (date of publication)
Engraved title page is illustrated with two male figures standing on a pedestal with their names Zeuxis, a 5th century BC Greek painter, and Apelles, a 4th century BC Greek painter, found on the pedestal. They stand…
- Author Salmon, William, 1644-1713
- Engraver Sherwin, William
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Botany, Medical--Early works to 1800, Drawing--Technique, Palmistry, Materia medica--Early works to 1800, Salmon, William, 1644-1713, Herbs--Therapeutic use, Workshop recipes, Perfumes, Dyes and dyeing, Apelles, Beauty, Personal, Painting--Technique, Cosmetics, Pharmacy--Early works to 1800, Medicine--Formulae, receipts, prescriptions, Medicine, Popular, Alchemy--Early works to 1800, Herbals, Portrait painting--Technique, Formulas, recipes, etc.--Early works to 1800, Zeuxis, active 5th century B.C., Sherwin, William, Art--Early works to 1800, Herbs
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45 items
Polygraphice, or, the Arts of Drawing, Engraving, Etching, Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming
- 1685 (date of publication)
The most popular of William Salmon's numerous books, the title page refers to 25 plates within whereas other copies are also missing plates 3 and 10, as is the case with this particular copy. Select digitized content…
- Author Salmon, William, 1644-1713
- Engraver Hove, Frederick Hendrick van, 1628?-1698, Cross, Thomas, Sherwin, William
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Botany, Medical--Early works to 1800, Drawing--Technique, Palmistry, Materia medica--Early works to 1800, Salmon, William, 1644-1713, Herbs--Therapeutic use, Workshop recipes, Perfumes, Dyes and dyeing, Portrait painting--Technique, Beauty, Personal, Painting--Technique, Cosmetics, Pharmacy--Early works to 1800, Medicine--Formulae, receipts, prescriptions, Medicine, Popular, Alchemy--Early works to 1800, Herbs, Formulas, recipes, etc.--Early works to 1800, Art--Early works to 1800, Herbals
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Plate V: Artist study of hands and feet
- 1685 (date of publication)
Engraved artist study of hands and feet including the lower torso and legs of a baby. One hand holds a quill.
The most popular of William Salmon's numerous books, the title page refers to 25 plates within whereas other…
- Author Salmon, William, 1644-1713
- Engraver Sherwin, William
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Drawing--Technique, Salmon, William, 1644-1713, Portrait painting--Technique, Beauty, Personal, Painting--Technique, Art--Early works to 1800, Alchemy--Early works to 1800
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Plate VII: Artist study of babies and cherub
- 1685 (date of publication)
Engraved artist study of baby boys and a putto/cherub. Babies are draped in cloth with one holding a crown above his head. The putto/cherub holds a wreath.
The most popular of William Salmon's numerous books, the…
- Author Salmon, William, 1644-1713
- Engraver Sherwin, William
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Drawing--Technique, Salmon, William, 1644-1713, Portrait painting--Technique, Beauty, Personal, Painting--Technique, Sherwin, William, Art--Early works to 1800, Alchemy--Early works to 1800
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Portrait of William Salmon
- 1671 (date of portrait plate)
- 1685 (date of publication)
Engraved portrait frontispiece of author William Salmon depicts the bust of Salmon inside a vignetted frame that reads in Latin "Ætatis SuÆ 26 Anno 1670 Guilielmus Salmon Medicinae Professor," which roughly translates…
- Author Salmon, William, 1644-1713
- Engraver Sherwin, William
- Publisher Printed for Thomas Passinger at the Three Bibles on London Bridge and Thomas Sawbridge at the Three Flower de Luces in Little-Brittain
- Subject Art metal-work, Botany, Medical--Early works to 1800, Drawing--Technique, Palmistry, Materia medica--Early works to 1800, Salmon, William, 1644-1713, Herbs--Therapeutic use, Workshop recipes, Perfumes, Dyes and dyeing, Portrait painting--Technique, Formulas, recipes, etc.--Early works to 1800, Painting--Technique, Cosmetics, Pharmacy--Early works to 1800, Medicine--Formulae, receipts, prescriptions, Medicine, Popular, Alchemy--Early works to 1800, Herbs, Beauty, Personal, Sherwin, William, Art--Early works to 1800, Herbals
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Emblema XXXV. Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem.
- Emblem 35. As Ceres accustomed Triptolemus to stay in the fire and Thetis did to Achilles, so the master does to the stone.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXIV. In balneis concipitur, & in aëre nascitur, rubeus verò factus graditur super aquas.
- Emblem 34. He is conceived in baths, born in the air, and being made red he walks upon the waters.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXIII. Hermaphroditus mortuo similis, in tenebris jacens, igne indiget.
- Emblem 33. The hermaphrodite, like a corpse lying in the dark, needs fire.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXII. Corallus sub aquis ut crescit & aëre induratur, sic lapis.
- Emblem 32. As coral grows under water and hardens in the air, so does the stone.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXI. Rex natans in mari, clamans altâ voce: Qui me eripiet, ingens præmium habebit.
- Emblem 31. The king swimming in the sea cries out with a loud voice: He that delivers me shall have a great reward.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXX. Sol indiget lunâ, ut gallus gallinâ.
- Emblem 30. The Sun needs the moon as the cock needs the hen.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXIX. Ut Salamandra vivit igne sic lapis.
- Emblem 29. Like the Salamander the stone lives in the fire.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXVIII. Rex balneatur in Laconico sedens, Atrâque bile liberatur à Pharut.
- Emblem 28. The king bathes, sitting in a Steam Bath, and is freed from black bile by Pharut.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXVII. Qui Rosarium intrare conatur Philosophicum absque clave, assimilatur homini ambulare volenti absque pedibus.
- Emblem 27. He who tries to enter the Philosophic Rosary without a key, is like a man trying to walk without feet.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXVI. Sapientiæ humanæ fructus Lignum vitae est.
- Emblem 26. Human wisdom is the fruit of the Tree of Life.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXV. DRACO non moritur, nisi cum fratre & sorore sua interficiatur, qui sunt Sol & Luna.
- Emblem 25. The DRAGON does not die unless he is slain by brother and sister, who are Sun and Moon.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXIV. Regem lupus voravit & vitae crematus reddidit.
- Emblem 24. A wolf devoured the king, and being burnt it restored him to life again.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXIII. Aurum pluit, dum nascitur Pallas Rhodi, & Sol concumbit Veneri.
- Emblem 23. Gold is raining, as Pallas is born on Rhodes, and the Sun lies with Venus.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXII. Plumbo habito candido fac opus mulierum, hoc est, COQUE.
- Emblem 22. Having acquired white lead, do the work of women, that is, COOK.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXI. Fac ex mare & fœmina circulum, inde quadrangulum, hinc triangulum, fac circulum & habebis lap. Philosophorum.
- Emblem 21. Make of the man and woman a circle, of that a quadrangle, of this a triangle, of the same a circle and you will have the stone of the Philosophers.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XX. Naturam natura docet, debellet ut ignem.
- Emblem 20. Nature teaches nature how to overcome fire.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XIX. Si de quattuor unum Occidas, subitò mortuus omnis erit.
- Emblem 19. If you Kill one of the four, suddenly all will be dead.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XVIII. Ignire ignis amat, non aurificare, sed aurum.
- Emblem 18. Fire loves to make fire, but gold does not make gold.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XVII. Orbita quadruplex hoc regit ignis opus.
- Emblem 17. Four orbs govern this work of fire.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800