This depiction of 8th-century Arabic polymath Abu Mūsā Jābir ibn Hayyān, westernized by Europeans as "Geber," comes from chapter 33 of the publication Les vrais pourtraits et vies des hommes illustres grecz, latins et…

The alchemist sits in a small side chamber, absorbed by his readings, as his family works to prepare a meal in the open kitchen. Household and alchemical materials merge: a distillation apparatus sits on the hearth at…

This scene depicts tools and materials used both in alchemy and in art—most notably the large écorché figure placed on the alchemist's table, which was used by artists and students of human anatomy. A human skull,…

A bald alchemist stands at his furnace on the right, stirring the contents of his crucible while reading a small book. His young apprentice stands by, attentively looking to the alchemist for guidance. Books and other…

First published in 1617, Michael Maier's alchemical emblem book contains a preface on ancient music and the Greek myth of Atalanta and Hippomenes and consists of 50 engraved emblems, each accompanied by a discourse and…

This 17th-century engraving is from Thomas Norton's The Ordinall of Alchimy and was made after a 15th-century illuminated manuscript (now preserved in the British Library). Norton, a practicing alchemist, depicts the…

In the center of a large room, a surgeon in a red cap and apron kneels to apply a leech to the foot of his bearded patient. Scenes of bloodletting and leechcraft are common in such images of doctors' surgeries. The…

A bearded man reading a book is standing in a great vaulted interior. A large window illuminates the room with warm daylight, reflecting against the glassware sparsely placed on upper shelves. At right, a long-necked…

Facing a glowing furnace at left, a bearded alchemist in green with a red cap looks at a flask of green liquid. A young assistant in a red singlet stands to his right. Laboratory apparatus is seen in foreground and…