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Emblema XXXIV. In balneis concipitur, & in aëre nascitur, rubeus verò factus graditur super aquas.
- Emblem 34. He is conceived in baths, born in the air, and being made red he walks upon the waters.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXIX. Oedypus Sphynge superata & trucidato Lajo patre matrem ducit in uxorem.
- Emblem 39. Oedipus, having overcome the Sphinx and killed his father Laius, takes his mother to wife.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXV. Ceres Triptolemum, Thetis Achillem, ut sub igne morari assuefecit, sic artifex lapidem.
- Emblem 35. As Ceres accustomed Triptolemus to stay in the fire and Thetis did to Achilles, so the master does to the stone.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXVI. Lapis projectus est in terras, & in montibus exaltatus, & in aëre habitat, & in flumine pascitur, id est, Mercurius.
- Emblem 36. The stone that is Mercury, is cast upon the land, lifted into the mountains, resides in the air, and nourished in the waters.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXVII. Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, æs Hermetis, & aqua fœtida.
- Emblem 37. Three things are sufficient for the magistery, white smoke, that is, water, the green lion, that is, the ore of Hermes, and foetid water.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Emblema XXXVIII. Rebis, ut Hermaphroditus, nascitur ex duobus montibus, Mercurii & Veneris.
- Emblem 38. The Rebis, like a Hermaphrodite, is born from two mountains, of Mercury and of Venus.
- Part of Atalanta Fugiens
- 1618
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Engraved title page from Michael Maier's Atalanta Fugiens
- Atalanta Fleeing
- Part of Atalanta Fugiens
- 1618
First published in 1617, Michael Maier's alchemical emblem book contains a preface on ancient music and the Greek myth of Atalanta and Hippomenes and consists of 50 engraved emblems, each accompanied by a discourse and…
- Author Maier, Michael, 1568?-1622
- Engraver Merian, Matthaeus, 1593-1650
- Printer Galler, Hieronymus
- Publisher Bry, Johann-Theodor de, 1561-1623
- Subject Alchemy, Alchemy--Early works to 1800
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Alchemist at work (with book resting on skull)
- After 1620 – before 1690
A studious, bearded alchemist in a red cap studies a book intently, one hand tracing the lines of text. Beside him, a brick furnace sits topped with glassware. A skull and hourglass rest on his table, reminding the…
- After Teniers, David, 1610-1690
- Subject Teniers, David, 1610-1690, Alchemists, Alchemy, Alchemy in art
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Alchemists at work
- After 1620 – before 1690
The alchemist pauses in his work to glance over one shoulder at the distillation experiments in progress beside him. A multi-level furnace supports an alembic and receiver. A small text, perhaps a recipe collection or…
- Manner Of Teniers, David, 1610-1690
- Subject Teniers, David, 1610-1690, Alchemists, Alchemy, Alchemy in art
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Rijcke-Armoede
- Rich poverty
- 1632
A painting in brunaille, a monochromatic image in tones of brown. This painting shows a seated alchemist in peasant garb. In his hands he holds a crucible and a pair of tongs, working before the light of a glowing fire…
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The Apothecary
- After 1635 – before
An apothecary in a fur-trimmed robe reads from a large book as his assistant looks on. Behind them, a dentist pulls a seated patient's tooth. A large celestial globe, distillation apparatus, and apothecary's jars…
- Manner Of Egbert van Heemskerk I
- Subject Alchemists, Pharmacists, Alchemy in art, Alchemy
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Alchemist in His Studio
- Circa 1640 – 1677
An alchemist reads a large book, seated in a cluttered laboratory with drapery-strewn arched ceilings. The scene is illuminated by the glow of daylight from an open window. His desk is piled high with open texts, folios…
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An Alchemist in His Studio
- Circa 1640 – 1677
Holding a letter in his right hand, the alchemist glances to one side as if caught in contemplative thought. A large glass distillation apparatus—alembic, receiver, and cucurbit—is before him, shining with reflected…
- Artist Wyck, Thomas, approximately 1616-1677
- Subject Alchemists, Alchemy, Alchemy in art, Wyck, Thomas
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An alchemist in his studio
- Circa 1640 – 1677
The alchemist's workroom, cluttered with broken vessels and scattered papers, is lit with warm yellow light from the double window at left. Through a large archway we see the alchemist at work by his desk, studiously…
- Artist Wijck, Thomas, 1616-1677
- Subject Wijck, Thomas, 1616-1677, Alchemists, Alchemy, Alchemy in art
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The Alchemist in his study with a woman making lace
- Circa 1640 – 1677
A dark study illuminated by single leaded glass window at left; in middle ground a seated man behind cluttered desk faces slightly left; open and closed books, papers, jars and jugs scattered on floor; at right a seated…
- Artist Wijck, Thomas
- Subject Lace and lace making, Alchemists, Alchemy, Alchemy in art, Women in art
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The Scholar
- Circa 1640 – 1677
In the warm light of a left-hand window, a scholar sits absorbed in his work. His desk is topped with a wooden lectern, small vials and vessels, a globe, and an apothecary's jar with a red cloth lid. The room in which…
- Artist Wijck, Thomas
- Subject Apothecary jars, Globes, Alchemists, Alchemy, Alchemy in art, Wijck, Thomas
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930 items
Magnes, sive de arte magnetica
- The Magnet, or about the magnetic art
- 1643
A second edition volume of Magnes (Cologne, 1643), by Athanasius Kircher (1602–1680), a German Jesuit scholar who published many extensive works on scientific, religious, and other subjects. Dubbed the “Master of a…
- Author Kircher, Athanasius, 1602-1680
- Contributor Martini, Martino, 1614-1661
- Editor Kalckhoven, Jost, -1669
- Publisher Kalcoven, Jodocum
- Subject Magnetism, Electricity, Physics, Kircher, Athanasius, 1602-1680, Electromagnetism, Phosphorescence, Religion and science, Transmutation (Chemistry), Alchemy, Luminescence
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A man filling wet drug jars in an apothecary shop
- Circa 1650 – 1800
In the apothecary's workshop a man pours liquid from a jar into blue earthenware vessels. He is surrounded by copper bowls, jars, and sacks of endive and other herbs and vegetables likely used for medical preparations…
- Subject Alchemists, Alchemy, Alchemy in art
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Alchemical laboratory
- Part of Theatrum Chemicum Britannicum
- 1652 (MDCLII)
This 17th-century engraving is from Thomas Norton's The Ordinall of Alchimy and was made after a 15th-century illuminated manuscript (now preserved in the British Library). Norton, a practicing alchemist, depicts an…
- Author Norton, Thomas, active 1477
- Creator Of Work Ashmole, Elias, 1617-1692
- Engraver Vaughan, Robert, 1597-1663
- Printer Grismond, John
- Subject Alchemy
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Alchemical master and disciple
- Part of Theatrum Chemicum Britannicum
- 1652 (MDCLII)
This 17th-century engraving is from Thomas Norton's The Ordinall of Alchimy and was made after a 15th-century illuminated manuscript (now preserved in the British Library). Norton, a practicing alchemist, depicts the…
- Author Norton, Thomas, active 1477
- Creator Of Work Ashmole, Elias, 1617-1692
- Engraver Vaughan, Robert, 1597-1663
- Printer Grismond, John
- Subject Alchemy
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Here followeth the Figure conteyning [containing] all the secrets of the Treatise both great & small
- Part of Theatrum Chemicum Britannicum
- 1652 (MDCLII)
Engraved diagram from George Ripley's The Compound of Alchymie. Known as Ripley's Wheel, the drawing depicts concentric planetary spheres along with his alchemical recipes.
- Author Ripley, George, -1490?
- Creator Of Work Ashmole, Elias, 1617-1692
- Engraver Goddard, John, active 1645-1671
- Printer Grismond, John
- Subject Alchemy
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16 items
Theatrum Chemicum Britannicum
- 1652 (MDCLII)
First published in 1652, this compilation of English alchemical literature was collected and annotated by Elias Ashmole. The book made available many works that had previously existed only in privately held manuscripts,…
- Creator Of Work Ashmole, Elias, 1617-1692
- Printer Grismond, John
- Subject Alchemy, Alchemy--Early works to 1800
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Title page from Elias Ashmole's Theatrum Chemicum Britannicum
- Part of Theatrum Chemicum Britannicum
- 1652 (MDCLII)
The engraved emblem on the lower half of this title page was made after a 15th-century illuminated manuscript (now preserved in the British Library) and depicts an eagle, snake, and toad against a solar and lunar…
- Creator Of Work Ashmole, Elias, 1617-1692
- Engraver Vaughan, Robert, 1597-1663
- Printer Grismond, John
- Subject Alchemy, Title pages
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Touching Sir Edward Kelley, he was borne at Worcester, the scheame of whose Nativity (Graved from the Originall Calculation of Doctor Dee, and under his Hand) I here Exhibite.
- Part of Theatrum Chemicum Britannicum
- 1652 (MDCLII)
- Creator Of Work Ashmole, Elias, 1617-1692
- Printer Grismond, John
- Subject Alchemy
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Alchemist in his laboratory
- Circa 1660 – 1704
An alchemist in a calf-length robe holds up a book in one hand, reading with close attention as he stirs a substance in a small crucible. The tabletop beside him is littered with glassware and distillation vessels. In a…
- Artist Dusart, Cornelis, 1660-1704
- Subject Alchemists, Alchemy, Alchemy in art